Jimbo Stokes – Hold On Let’s Go

Rising talent, Jimbo Stokes, started the year with a bang! Off the back of a successful Tamworth Country Music Festival; Jimbo Stokes secured a partnership with ABC Music kicking off with the release of the singles, “Got Me Good” and “All For You”. Both singles went on to impact the radio airplay charts. Jimbo also secured the prestigious booking agency, Harbour, to represent him on the tour front.

Off the back of his performances at Groundwater Festival, Jimbo returns with his third single, “Hold On Let’s Go”. Produced by Rod McCormack and co-written with Phil Barton, Jimbo describes the song, “It’s a high energy tune that captures those rare moments when you know you’re in for a fun time but there’s no guilt nor worry, you’ve earned it. So sit back, hold on let’s go.”

The Scone based country singer had his breakout year in 2023, which saw two singles (“Headed Country” and “Atlas”) rocket up the country music charts and assert himself as one to watch. The momentum will continue into 2025 with more singles planned and further show and festival dates to be added.

Mak & Shar – Untamed Heart

MAK & SHAR DELIVER A HEARTFELT TRIBUTE TO THEIR LATE FATHER WITH NEW SINGLE ‘UNTAMED HEART’

Country pop sibling duo, Mak & Shar, follow up their loved-up hit, ‘Best Thing’, with the cheerful single, ‘Untamed Heart’ – a touching tribute to their late father.

“Untamed Heart was written for our dad who passed away back in 2006,” shares older brother, Shar. “When we were young, he used to play guitar and sing for us, and we definitely wouldn’t be the musicians we are today if it wasn’t for him.”

Recorded at Mak & Shar’s home studio in picturesque Mudgee, the duo played every instrument on the track. Honing their production skills over the years, the boys aren’t afraid to push boundaries. “There’s literally a trumpet in this song,” chuckles Mak. “A trumpet in a country song on paper sounds so wrong, but it worked out so much better than we thought!”

Although the song’s inspiration comes from a place of loss, its lyrics meditate on positivity. “He said son we’re never apart / You can never break my untamed heart.” Couple that sentiment with the boys’ inspiring production – pounding drums and majestic trumpet lines – and you get a catchy, can’t-help-but-dance track.

Mak & Shar’s cheery take on country pop has proved to be a hit with fans thus far. Their previous single, ‘Best Thing’, climbing to #7 on the Country Radio Charts and receiving additions to Apple Music’s ‘Aussie Country’, ‘Country Risers’, ‘New Music Daily’ and ‘Little Bit Country’ editorial playlists.

The boys have toured across the country, from CMC Rocks to Tamworth Country Music Festival. They’ve warmed up stages for Aussie icons, Guy Sebastian and Troy Cassar-Daley and even tackled the theatre stage together, appearing in Quambadook; a story about the life of country star John Williamson, which galvanised Mak & Shar’s love for country music when they were just starting out.

Mak & Shar’s ‘Untamed Heart’ is a heartfelt tribute that balances emotional depth with infectious energy. The single not only highlights their strong production skills and fearless experimentation, but also resonates with listeners through its universal themes of love and resilience. With an impressive track record and a growing fanbase, Mak & Shar continue to solidify their place in the country pop landscape.

Zac & George – Boys From The Country

Country duo Zac & George are back with a brand-new single, “Boys From The Country”. This song, crafted in the heart of Nashville, TN, is more than just a tune; it’s an anthem celebrating small-town roots, hard work, and the authentic values of country life.

Written alongside Nashville’s own #1 Country Radio songwriter, Jaron Boyer, and good friend Lynn Wilbanks, “Boys From The Country ” embodies a youthful, feel-good vibe with a swampy, roots-inspired twist. The track, a mix of storytelling and rhythm, is produced by MSquared in Melbourne and driven by Zac & George’s vision of big guitars, tasty licks, and an open, dynamic beat – perfect for a backroad tailgate party.

“Boys From The Country” captures a genuine, earthy spirit that resonates with fans of country living and anyone who values a down-to-earth lifestyle. ” This song means a lot to me. The first line really hits home, as it’s about Mum’s home cooking – something I always look forward to when I go back to the farm,” George shares.

The song’s hook, “Don’t be jealous when the girls like the boys from the country,” is a playful nod to the charm and good manners that come with a country upbringing. “There’s a lyric about hay bales being as good as gold. It came from a moment when George was in awe of a field full of round bales – they were like gold to him,” Zac adds.

With themes of land, family, and youth, “Boys From The Country” is a toe-tapping, feel-good anthem that embodies the soul of small-town life. Following the success of previous releases like “Bar Stool” and “Be Like,” this new single promises to be a hit on country radio and playlists alike.

Catch Zac & George’s high-energy performance at the upcoming CMC Rocks Festival as they perform on the Main Stage early next year, where “Boys From The Country ” will surely become a crowd favourite.

Sam Hunt – Liberty

Sam Hunt Delivers Moving New Track “Liberty”

Sam Hunt delivers a stirring new track with “Liberty,” out now. Rooted in a dream of the future, Hunt envisions what life can look like with days focused on and filled with perseverance, purpose, and family. Hunt played a portion of “Liberty” acoustically on his socials last year after writing the tune with Zach Crowell, Chris LaCorte, Shane McAnally, and Josh Osborne. Fans have called for the full version ever since first hearing Hunt sing:

Baby, give me liberty or give me death

Forty hours and a day of rest

Autumn leaves on these county roads

Grab a hand, y’all bow your heads

A bunch of kids, little fertile ground

Raise ’em up right, pass it down

Fences keep the cattle in

But they can’t hold the souls of men

Fences keep the cattle in

But they can’t hold the souls of men

Listen to Sam Hunt’s “Liberty” HERE

“Liberty” is the first track following Hunt’s recent Locked Up EP. Locked Up features Hunt’s 10th career No. 1 hit “Outskirts” along with “Country House,” playing on country radio now. Hunt recently wrapped his Locked Up Tour with over 20 dates across the U.S. and Canada. Hunt has been announced as a headliner for several festivals including Gulf Coast Jam 2025, Country Jam 2025, and Canada’s Boots And Hearts Music Festival 2025. Hunt also recently celebrated the 10th anniversary of his culture-shifting, 4x Platinum-selling debut album, Montevallo. For more Hunt info on music, touring, and news, visit SamHunt.com.

Anais Campbell – Had Enough

ANAIS CAMPBELL RETURNS WITH NEW SINGLE ‘HAD ENOUGH’

Anais Campbell burst onto the scene at just 17 years old, armed with a groundbreaking EP crafted in country music mecca, Nashville TN. After briefly stepping away from the spotlight to navigate life in her early 20s, Anais is back with the hooky not-so-drinking song, ‘Had Enough’.

Layers of rubbery acoustic guitar merge with airy synth tones to form the backbone of Anais’ innovative single. The songbird’s silky vocal quickly takes centre stage, as she delivers a twist on the classic party trope.

“It’s a drinking song for the not-so-drinkers,” explains the singer-songwriter. “One more drink / What’s the difference now / I think I’ve had enough,” she sings, closing out the song’s catchy chorus.

Kix Country Network’s Justin Thomson praises the young singer’s originality, saying “There is nobody else who sounds like Anais. Her unique style is refreshing. I look forward to what the future holds.”

‘Had Enough’ is a joyful summer singalong, anchored by a forward-thinking sound – courtesy of Melbourne based producer, Ben Oldland (Genes, Tyde Levi, Sidney). “Being in the studio was so fun, I felt right at home!” recalls Anais. The song’s lyrics emerged from an afternoon the pair spent in the studio and quickly snowballed into the finished track.

Beginning her career less than decade ago, Anais has already kicked major goals. After recording her debut EP in Nashville, the singer-songwriter followed it up with ‘Drink Me Down’, a single tracked in London.

She’s cut her teeth at veritable venues and festivals like Tamworth Country Music Festival , Cairns Festival, Tanks Arts Centre, Brisbane EKKA and Tropics Muster (QMF). In recent years Anais stepped away from the stage to focus on songwriting, striking up fruitful collaborations with fellow Queenslander, Brad Butcher, and newcomer, Robbie Mortimer.

With ‘Had Enough’, Anais Campbell showcases her ability to push the boundaries of country music. After a brief hiatus, she returns more mature, poised, and ready to carve out a distinctive space in the country music landscape.

Sara Storer – Layers

SARA STORER’S NEW SINGLE ‘LAYERS’ TACKLES THE HIDDEN STRUGGLES OF BULLYING AND SOCIAL MEDIA PRESSURE ON TODAY’S YOUTH

Acclaimed singer songwriter, and 22 x Golden Guitar and ARIA Award winning Sara Storer today releases the second single, ‘Layers’, from her upcoming 8th solo album set for release in 2025.

Not one to shy away from calling out injustice when she sees it, Sara has long been an advocate for the marginalised and bullied, listening to their stories and weaving them into her songs.

Sara penned ‘Layers’ after being told about the bullying of a young girl in her community. Like most teens, she had been impacted by the perfect TikTok lives of her peers. Young people are consumed by a social media world which bombards them with images of impossible perfection, and we are now seeing the damaging effects of constant social comparison on their emotional and mental health.

Amid growing calls for social media age restrictions, Sara’s latest single, ‘Layers’, speaks to the harm inflicted on teenagers by social media and the rising concern of parents and the community for the future of our young people.

Produced by multi award winning Matt Fell, the song, as Sara tells it, is a tale parents and teens are living daily:

“This song isn’t going to change the world but too often I hear of another young girl battling the pressures of social media. All the good work parents do in building solid foundations of self-love, self-confidence, fearlessness and uniqueness all destroyed by unrealistic brain washing by social media.

Perfection: girls already have it! Then there’s a tough day at school because someone said something that gave them a little bit of self-doubt. Unfortunately, today, there’s no escaping social media. It follows teens home and reinforces those damaging ideas – once restricted to the school yard- well into the night.

Girls don’t get a break! And this torture eventually erodes the core love they have for themselves. Doubt creeps in. Social media overrides all the good the parents have done. It’s in front of them on a screen 24 hours a day constantly reinforcing perfect, perfect, perfect. What is left? A young girl with severe mental health issues and an unfair start in life.”

‘Layers’ cuts through the veneer of social media perfection and asks us to see that beneath it all “there’s a girl who wants just the same things as you.”

Ronnie Joudo – Leave It For Tomorrow

Ronnie Joudo Releases New Single “Leave It For Tomorrow” – A Celebration of Life and Living in the Moment

Australian country sensation Ronnie Joudo is thrilled to announce the release of his latest single, “Leave It For Tomorrow,” set to drop on October 25th. This upbeat, 90s-inspired country track captures the spirit of carefree living and the joy of embracing the present.

In “Leave It For Tomorrow,” Ronnie encourages listeners to set aside their worries and fully enjoy life’s simple pleasures. The song radiates positivity with its catchy melody and relatable lyrics, reminding us all that sometimes it’s okay to let the to-do list wait. With a blend of classic country twang and modern flair, Ronnie’s powerful vocals shine as he delivers a message that resonates with fans across all ages.

“Life can be overwhelming with so many things pulling at our attention,” Ronnie says. “This song is a reminder to take a step back, have some fun, and just enjoy the ride. We don’t always have to check everything off our lists. Sometimes, it’s more important to live in the moment.”

Fans can look forward to this lively anthem, which promises to be a staple at country music gatherings and playlists alike. Ronnie’s unique sound, rooted in the rich traditions of 90s country, is sure to captivate audiences and solidify his place in the genre.

Dallas Alexander – Can’t Blame My Bloodline

Dallas Alexander- Can’t Blame It On My Bloodline
Dallas Alexander, a proud Métis artist, brings raw authenticity to country music with his single “Can’t Blame My Bloodline.” Featured on the TV show Clerks, this gritty anthem showcases Dallas’ unique sound, blending traditional country storytelling with a modern, energetic twist. Dallas has found success on SiriusXM and Indigiverse, and tours extensively across Texas, Georgia, Tennessee, Alabama, and Canada. Managed by Cache Entertainment, a company owned by country star Gord Bamford-26-time CCMA award winner and 2-time CMA winner-Dallas is in good hands. Cache Entertainment is also responsible for the Gord Bamford Foundation and offers full-service artist management and development, supporting emerging talent like Dallas. “Can’t Blame My Bloodline” is sure to resonate with country fans seeking an authentic, powerhouse track.

Claudia Tripp – My Ex (But Not Really)

Rising singer-songwriter Claudia Tripp has unveiled her infectious country pop anthem “My Ex (But Not Really).” Produced by the highly acclaimed Michael DeLorenzis and Michael Paynter from MSquared, the song offers a fresh spin on the theme of lost love, capturing the bittersweet feeling of watching someone you never officially dated move on. With its catchy hooks, irresistible energy, and clever lyrics, Claudia’s distinctive vocals shine, ensuring this track will be an instant favourite among country and pop fans alike.

“I wrote ‘My Ex (But Not Really)’ as a fresh take on ‘the one that got away,” Claudia explains. “It captures that bittersweet feeling of watching someone you never officially dated move on. It’s a blend of jealousy, frustration, and sadness all wrapped up in an upbeat country-pop song that you can blast in the car when you’re stuck in your feelings.”

Dubbed as ‘an artist to watch’ by country music tastemakers, after becoming a Top 10 Finalist in the 2023 Toyota Starmaker Talent Search in Tamworth and more recently gaining a showcase at Brisbane’s BigSound, “My Ex (But Not Really) follows up from Claudia’s recent successful 2024 single release “Rodeo”.

This fast-rising artist has graced stages at RAC Arena and Optus Stadium in Perth and has toured with renowned artists including Travis Collins, Thirsty Merc, Tex Perkins, Daryl Braithwaite, and Russell Morris. Claudia will see out the year performing shows alongside Casey Barnes, Andrew Farriss and again with Thirsty Merc.

Claudia’s music has consistently made its mark on editorial playlists, including Spotify’s Fresh Country and major Apple Playlists including Country Caffeine, Aussie Country, Back Porch Country, New Music Daily and Country Risers further solidifying her place in the country music scene.

Known for her unique blend of heartfelt storytelling and infectious melodies, Claudia Tripp continues to grow a fanbase and a reputation for captivating live performances, she is poised to become one of the standout voices in the genre.

Shaboozey – Highway

In the world of country music, where storytelling reigns supreme, few artists have managed to craft a tale as raw, vulnerable, and beautifully heartbreaking as Shaboozey does with his latest single, “Highway.” Fresh off two CMA Award nominations (Best New Artist & Single of the Year) the Nigerian-American artist continues to prove why he’s a rising force in the genre. Combining poignant lyrics with soulful melodies, Shaboozey delivers a ballad that delves deep into the emotional toll of a relationship’s end, with his signature Western acoustic vibe.

“Highway” is more than just a breakup song; it’s an emotional odyssey wrapped in acoustic guitars and layered harmonies, with Shaboozey’s deep baritone vocals pulling listeners into a space of reflection and melancholy. The song embodies the distinct sound that Shaboozey has carved out in 2024, a year that has seen him dominate the airwaves.

This release follows the incredible success of Shaboozey’s previous hit, “A Bar Song (Tipsy)”, which achieved double platinum sales in Australia and spent five weeks at #1 on the ARIA Singles Chart. A celebration of country values and breaking free of the 9-to-5 grind-the track highlighted his ability to seamlessly blend smooth vocals with upbeat, clap-tempo rhythms, crowd-filled backup vocals, and folksy acoustic guitar.

Shaboozey’s triumph with “A Bar Song (Tipsy)” marked a significant achievement for independent artists everywhere. It was the first independent single to reach #1 on the ARIA charts in five years, holding the spot for a consecutive second week. The song’s success has seen it dominate multiple charts in Australia, including:

1 on the Aircheck National Radio Airplay Chart for 8 consecutive weeks

1 on the CountryTown National Country Radio Airplay Chart

1 on the AU Radio Monitor All Radio, by Impacts Chart for 7 weeks straight

The song’s popularity has been further amplified by remixes from illustrious DJs David Guetta and Alesso, expanding its reach across the dance and alternative genres, too. Shaboozey’s impact extends beyond his singles, with his album “Where I’ve Been, Isn’t Where I’m Going”.

ABOUT SHABOOZEY:

Shaboozey is building his own world, carving his lane in the alternative country and hip-hop space. Born to parents of Nigerian descent and raised in the small town of Woodbridge, VA, the multi-faceted artist grew up on an eclectic mix of music encompassing classic hip-hop and R&B, to country and blues icons like Johnny Cash, Kenny Rogers, Garth Brooks, and Lead Belly, to master lyricists, such as Bob Dylan and Leonard Cohen.

A true crossover artist, he began his epic rise to stardom with two standout features on Beyoncé’s “COWBOY CARTER”- the only artist with multiple appearances on the album. His latest body of work, the critically acclaimed masterpiece “Where I’ve Been, Isn’t Where I’m Going”, debuted in the top five of the Billboard 200 and was praised by Rolling Stone for “honoring country tradition and moving it forward.” NPR says he is “The future of country music,” and the Los Angeles Times has crowned him as “the breakout country artist of the year.” The album’s smash single “A Bar Song (Tipsy),” has achieved 6X RIAA- platinum certification, holds the longest reign of 2024 at #1 on the Billboard Hot 100, and has broken records dominating Billboard’s Country Airplay and Mediabase/Country Aircheck charts.

The single has accumulated over a billion streams across DSPs, propelling him into mainstream stardom and securing the title of song of the summer 2024. It also made history with “TEXAS HOLD ‘EM,” making Shaboozey and Beyoncé the first Black artists to score back-to-back No. 1s on Billboard’s Hot Country Songs chart. He garnered Best New Artist and Song of the Summer nominations at the 2024 MTV Video Music Awards , recently won the New Artist of 2024 and New Artist Song of 2024 awards at the People’s Choice Country Awards and was named a TIME100 NEXT honoree. He has also been nominated for New Artist of the Year and Single of the Year at the 2024 Country Music Association Awards.

Highlighting not only his musical vision but also his commitment to influencing modern fashion, Shaboozey recently debuted his collaboration for YSL Beauty’s MYSLF Le Parfum for a groundbreaking campaign. Honouring his Virginia roots, Shaboozey continues the region’s long-standing tradition of prolific creativity by expanding the scope of contemporary hip-hop, introducing modern Americana to a global audience, and bringing a unique sense of artistry to the world. His debut headline tour “Where I’ve Been, Isn’t Where I’m Going” sold out in every market ahead of its launch and he is set for a run of arena performances supporting Jelly Roll’s “Beautifully Broken” tour.